Redux, Redux and Redux

Last weekend Chris and I watched the 202 minute director’s cut of Apocalypse Now. I had never seen it before, and although a little slow in places, it reaffirmed my unabashed love of the “white man goes crazy in the jungle” movie. Granted, I can only think of two other examples this one and thata one (I’m pretty sure no one can play crazy like Klaus Kinski) but I enjoyed the Hell out of both of those movies.

My love of this motif is not limited only to film. Oh no. Rushdie sends four (okay, not white) men down a river and through a psychotropic freak out jungle in the chapter “In the Sundarbans” from Midnight’s Children.

So what is it about jungles? Why are jungles this literary shorthand for “some fucked up shit is about to go down now dude”?

Apparently Apocalypse Now is based on* Heart of Darkness, a book that is, apparently, about a white man who goes crazy in the jungle. Now, I love to read, but I wasn’t an English major. As such, I don’t feel I have a real comprehensive background in or of *Literature, you know: the landmarks. The books that are the genesis of symbols and allusions that work their way through all the writing that has followed. I have the feeling that the Heart of Darkness is one of these sorts of books. Arundhati Roy refers to the abandoned European mansion as the “heart of darkness” in the God of Small Things. I have an inkling all these damn jungle references might point back there as well.

So, you are thinking: “Read the god damn book!” Well I’ve started. I picked up it awhile ago for 75 cents at Mega Used Book Store on 8th ave. I put on hold the book I was reading in the interest of maybe making some sort of genuine connections between these movies and books that I enjoyed but never thought about the ways in which they were related.

I have already learned that thinking “Pfft, 90 pages, no sweat, I’ll finish this tonight” wasn’t accounting for sentences that go like this:

There was a touch of insanity in the proceedings, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives - he called them enemies! - hidden out of sight somewhere.

Is this the language in literature of the early 1900s or the language of a man who didn’t learn English until an adult and then took it deadly fucking serious? My point is, it is not a quick read.

So in conclusion:

  1. What other white man goes crazy in the jungle movies might I enjoy?

The rest of that stuff was just me thinking out loud. Sorry dudes.


Comments

Watching “Apocalypse Now” and “Fitzcarraldo” in a theatre were incredible experiences, though i did think the longer Redux was not as focused as the original. And yeah, Conrad nailed a real truth in the white men going gaga in the jungles and on the people there. Your search of other jungle movies is a good one - of course there is the original Lord of the Flies, which is white children going gaga in the jungle, or The Emerald Forest by director John Boorman, based on a true story of a white man’s kid kidnapped by South American natives, and an old 1932 movie with Walter Huston as a cruel dictator in Kongo.

Well, you might enjoy the Nicholas Roeg film of Heart of Darkness, with Tim Roth and John Malkovich as Kurtz. I haven’t seen it.

I have seen Hearts of Darkness (note: plural!), which is about the making of Apocalypse Now, and eminently qualifies.

I think Harrison Ford did one of these (as well as a bit part in Apocalypse Now, hmm)… The Mosquito Coast?

Heart of Darkness is a terrific book, though not a light read. But I don’t think Conrad’s great truth was about white men and jungles–the darkness, I think, is in humans’ own hearts, not the jungle.

(Hey, Chris, why doesn’t your blog render the cite tag as italics?)

second that emotion on Mosquito Coast with Harrison Ford and River Phoenix. Oh, and of course, there is “Anaconda”.

I think Harrison Ford did one of these (as well as a bit part in Apocalypse Now, hmm)… The Mosquito Coast?

That was one of the movies she linked to..

(Hey, Chris, why doesn’t your blog render the cite tag as italics?)

Should be working now..

Deliverence. “This is the weekend they didn’t play golf.”

Doug OrleansAugust 11, 2006 at 14:45 · reply

My first thought was Falling Down. My next thought was African Queen but I’m not sure that counts as truly going crazy.

Falling Down – heh. White man goes crazy in the urban jungle.

I had never put those three movies together in my brain before, but I do like all three. Maybe I’d best stay out of the jungle myself.

If you love Fitzcarraldo like I do, make sure to see Les Blank’s “making of” documentary, Burden of Dreams. You’ll see Kinski wasn’t “acting” crazy and Werner Herzog is extremely messed up too. Much fun!

Kevan SmithAugust 11, 2006 at 19:36 · reply

La Vallée, http://www.imdb.com/title/t… . Soundtrack by Pink Floyd.

“A Far Off Place” although techincally it wasnt a jungle movie but it was set in africa and its still one of may favorites

There’s a meta-example, the documentary “Mein liebster Feind - Klaus Kinski” which you can rent from Netflix as “My Best Fiend, Klaus Kinski. It’s a Werner Herzog documentary about making films with Kinski, including Aguirre and Fitzcaraldo which fall into your genre. Kinski’s off-camera insanity makes the on-screen stuff look tame by comparision and Herzog’s narrative is hillarious. I very highly recommend it.

Thanks for all the suggestions. Man you guys are literal. I mean, wasn't it completely obvious that by saying I didn't want to talk about the things I rambled on about in the other 90% of the post, that THOSE WERE THE THINGS I WANTED TO TALK ABOUT? You guys really just don't get me.

So far Conrad has used the word nigger a few times. Context 1910 blah blah aside, is there some sort of jungle=non-european=bad thing going on here? I guess it seems it is either jungle=extreme environment=extremes of human experience=crazy or jungle=not European=extremes of no tea and crumpets=crazy.

Is the whole jungle/crazy thing a vestige of European colonial era racism/-ism or Axl Rose jungle badassery?

Joe LanceAugust 12, 2006 at 01:21 · reply

Is the whole jungle/crazy thing a vestige of European colonial era racism

Check. Do Stanley and Livingston qualify?

Oh, and another film: Walker.

Is the whole jungle/crazy thing a vestige of European colonial era racism? yes, and Imperialism too. i think the book captures the rape and pillaging of land, people, resources, etc by “western civilization” and the moral decay it brings to those who particpate in it. and also add a hearty must see to Burden of Dreams. Herzog was in that jungle for 5 or 6 years and the documentary shows his breakdown without flinching.

Do you think the average rank-and-file of had any sense of regret or responsibility? I guess I need to approach these questions from a more academic direction. Alright, new question: Anyone know any comprehensive discussions of the imperial era?

This is particularly interesting to me, because alot of what I read I guess would be considered 'post colonial literature' (by virtue of being written after the colonial era by people who live in former colonies) and it really seems true that regardless of the content of the story there is always this overt or covert recognition, that it is still something in the hearts and minds of people. That just seems incredibly powerful. Not that that is anything new socially or historically, but whereas I've engaged in academic discussions about, for example, the role that slavery still plays on black culture and experience, that this issue (for me at least) has went unexamined. And now I want to learn! Hallelujah!

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